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Dušan Lazić - Vojka, Serbia - Serbian (Global Lives Project, 2009) ~19:45:15 - 20:21:34

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- I don’t like this at all. - The equalizer. - Are we going to warm up first? - What’s that squeaking, is it yours? - Yes. How much do you think it cost you? - 300€. Expensive? - I got one just like that... just like that, half price. - You can’t sell it. No one wants to buy it. I’ve been trying to sell it for two years. I want to change it, I feel like changing my guitar. - I've even had a case for it. And it was cheap. Half price. - Tuning up? - Could that kid somehow bring us the other box? - Nidzo, please, if it’s not necessary… If it's not necessary... Please. - Let me ask you... You know the amplifier. Is there any effect there? Reverb or something? - There is something. To be honest, I don’t know. Wait, let me see... - You have a pedal here to turn it off. - Is it turned off? - The volume is very low. - I don’t know how to work it. - That’s right, take it easy. That’s right, don’t worry. Don't worry. - Move the table a bit. - Let’s do it together. Is it good? It’s a bit crowded, what can we do... - Now you should... - I should play without distortion. You'll play with, and I without. - Let’s play one by one. Try now. - Play a solo, Nidzo. - Dule, are we going to get the notes? - Here’s your beer. - Beer? Look at the foam. - It must be bad. - Nidzo, you are not comfortable? - It’s OK. - Get comfortable. You should be sitting down... just to feel good. I would just like to ask you to get cigarettes down to a minimum. I’m ill these days, flu is really bugging me, and the room is quite small. - Dule, you didn't try out the vocals. - We'll try it out... - Play a solo. - There’s no one to play the drums. - I’ll play them till someone comes. Just a bit for you to rehears. Something slow. - You should play. Bendza should look at me. - D-minor. (they start playing a tune) - Pindzula, give me five. - Nidzo, something smells really bad. - It’s melting. - Get the other one. Try that one. - No smoking. - That’s right. - Are we going to play something, in D minor maybe? - Yes, let’s. - OK, now we're gonna do it. (sings the notes) Just, when the chorus comes... (sings the notes) You're gonna do that. I have no doubt in this man. - Can you? - I’ll try. - Let's play. (they start playing the tune) - D major! - What, there’s a second part? - No, no. - Get high. - Put it out. - It's not real. It's just a regular cigarette. - Here he is, come on, Miko, come on, Mikice. Don’t let me steal your job, it’s not right. Hi, welcome. Welcome. Here you go. - I just got here. - Don’t let me steal your job, it’s not right. You’ll sit there? Now play the same thing with him, just to see whether you know how to. Yes, yes, just let me get it ready. Are we going to play this? No, too difficult? - Nidzo, have you played this? Just a second. - In D minor? - Yes, D minor, if it’s OK. - We’ll try. - Try. - Dule, take a microphone. - Yes, yes. - Are you drinking beer? - Of course. - We need a woman’s hand. - Nidzo, we’ll play it in D minor. Oh, it foams. - Dule, come here. - What did I do? Did I do something wrong? - Look here. Your hand shouldn’t be shaking. - Mustn’t shake. - Wait till it falls down. We’ll put it here, look, Ceme. - And you, you’re not drinking beer? How about them? No one? What do you want to drink, people? Only water? But the water is not good around here. You can drink it, but you have to mix it with beer or wine. - What did you say? D minor? - One, two. One, two. One, one... Twenty eight. - It’s good? - Yes, yes. - What about us who can sing the back vocals, are we to fight you for the mic? - You’ll see where it’s best for you. - Feel it? - Yes. - Can I do it sitting down? - Yes, it would be best. There you go... That’s good. One. - Nidzo, play a solo. To begin with. - Know what’s the good part? (sings the melody) It's improvised. Mikica will now catch up on it. Go, Nikola. (they start playing the tune) Slowly. Excellent, excellent Nidzo. ♪ I still remember one dream by the river. ♪ ♪ It was summer then. I whispered to her my wishes every day. ♪ ♪ It was long time ago. ♪ ♪ I'm here again, as I was before. ♪ ♪ And those wishes vanished. ♪ ♪ I'm no longer young, but one wish still lives inside of me. ♪ ♪ For that summer to come back, when I was a child. ♪ ♪ And there, on its shore, where I dreamt the dearest dream. ♪ ♪ But the river carries everything away, carries the dreams. ♪ ♪ And the years flow with it. ♪ ♪ The days from my childhood are now gone without return. ♪ ♪ But the river carries everything away, carries the dreams. ♪ ♪ And the years flow with it. ♪ ♪ The days of my childhood are now gone without return. ♪ ♪ Ta-ra-ra-ra-ra... Of my childhood. Ta-ra-ra-ra-ra... Of my childhood. ♪ Minor. - Guys, when you go from major to minor, it’s called “happy coming”. (laughing) - Where, where, which part? ♪ That summer ♪ Yes, yes. What? - G minor. - Here it says G major. - You know this song? What? Never mind. Know this one? It’s old. And simple. 'Cekala je majka sina' (Mother waited for her son). Solo part goes like this... (sings the melody) Then once more. (sings the melody, band tries it out) We can do it in a duo. In a duo, that's right. That's it. - Are we going to play together? - You play. (they start playing the tune) ♪ Mother waited for her son every day and every night. ♪ ♪ Mother waited for her son that will never come. ♪ ♪ The old mother waited for her son, her sailor. ♪ ♪ To each boat that arrived she opened her arms. ♪ ♪ She watched the black sea, she saw her son. ♪ ♪ She could not believe that those depths have taken him. ♪ ♪ With tears instead of flowers she covered the black sea. ♪ ♪ Never again will her happiness see the old wrinkles again. ♪ ♪ Mother waited for her son every day and every night. ♪ ♪ Mother waited for her son that will never come. ♪ ♪ The old mother waited for her son, her sailor. ♪ ♪ To each boat that arrived she opened her arms. ♪ ♪ She watched the black sea, she saw her son. ♪ ♪ She could not believe that those depths have taken him. ♪ ♪ With tears instead of flowers she covered the black sea. ♪ ♪ Never again will her happiness see the old wrinkles again. ♪ ♪ Never again will her happiness see the old wrinkles again. ♪ - All right? We’re putting this one on the list too. Would this be any good? Nidzo, see this? It’s the original. As someone has written it down, that’s the way it is. - That’s Miki Jevremovic. - Dragan Stojnic and Gabi Novak sang it. - I don't know it. - Do you? (guitarist tries to play it) Wait. Let’s just take the solo from the top, and he’ll join in in the second stanza. Very high. - Wait, wait now... (Dusan sings the melody) (guitarist plays it) - One more time. And just that. Ceme, Ceme, that, there, that’s right. That’s right, Ceme. No, no, wrong. That’s right. That’s it. - It sounds better like this. - Whatever sounds best to you. - Pindzula, this way is the best. Very high. - Whatever suits him best, let him. - Whos is this? This is yours. - No, no, wanna play it this way? - Is this mine? - It's mine. - Which one is mine? This is mine. That's right, C major. - There's a C minor, F and G there. - That’s it, Nidzo. - Is it OK now? - Yes. Just without the rhythm. Just finger picked. On the rhythm guitar just finger picking. It plays solo. Just finger pick the chords. Nidzo, Nidzo! - So, it goes C, A, D, G... - Really slow. (sings the melody and snaps the fingers) Really slow. That's it. (they start playing the tune) One more time. ♪ Wine and guitars - let them fill my night again. ♪ ♪ That old wine and guitars. Tonight the friends will come. ♪ ♪ The time may stop when everybody gathers here. ♪ ♪ We'll be on some other side of life tonight. ♪ - Stop, stop. Turn off the mic. - That's why I told you to bring another amplifier. - Yes, I believe. Let's turn the volume down for one level. Everything for a level down. - Ok, try. - One, two. One... - Enough of interference. - It will stop. - That's right. Stand there and don't move. - Look, here. Let’s make a deal. What is an arrangement, but a deal? So, at the beginning we have the solo and the guitar. Without the cymbals, without anything. Just let me see, let’s think. Yes, yes. Solo, two times. - First, the guitars, without the bass and cymbals. Then they join in. - That’s right. OK, that’ right. You join in later. Later. That’s B minor. - B minor is no good here. Check it out (tries singing and playing) G4, G7. - I want to ask you this. That part, I never get the right pitch there. Play that note for me, in B minor. (tries to sing) But don’t play it that high, play it an octave lower. (tries to find the right octave) That’s what’s missing! Play it for me. That’s precious for me. Only that, it’s very precious. Only that, it’s very precious. Pindzula, can we start? You begin your solo. You only finger pick. (they start playing the same tune again) Hold it, something’s wrong. The rhythm’s not clear. No, no, everything’s OK, just that the rhythm’s not clear. One, two, three, four. One, two, three, four... ♪ Wine and guitars - let them fill my night again. ♪ ♪ That old wine and guitars. Tonight the friends will come. ♪ ♪ The time may stop when everybody gathers here. ♪ ♪ We'll be on some other side of life tonight. ♪ ♪ And the youth - let it pass. Life has to go somewhere. ♪ ♪ Even the wounds that are visible - everything will pass, it will all pass. ♪ ♪ Wine and guitars I wish in my home tonight. ♪

Video Details

Duration: 36 minutes and 19 seconds
Country: Serbia
Language: Serbian
Views: 192
Posted by: globallives.serbia on Jun 29, 2009

tape 02, second 30 min

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