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Riccardo Magnani - Bagnacavallo 2013

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I present you Riccardo Magnani the last speaker that closes the day and is a well-known Italian writer, who has a great passion for the history, archeology and research of the works of Leonardo da Vinci. He graduated in Economics and Commerce and used to work with logic and numbers. He was absorbed literally by the study of paintings made by the great Renaissance master to the point where he share a number of aspects hitherto considered mysterious and undoubtedly, they illuminate the path of history toward new flashes of knowledge. Now considered an expert in the evaluation of the most unusual traits of the works of the great artist of Florence he succeded to translate in terms of writing, the enormous cultural baggage hidden in his works extrapolating from that, the concepts most salient in order to ensure an authentic disclosure of truth. Riccardo Magnani, devoting himself to historical literature, chose to exhibit amazing revelations that confess the cognition of the great virtuous Leonardo on the origins of man. Recently, his research led him to the sensational discovery of the city of Paititi known as the "Ciudad Perdida" or more known as the El Dorado. The theme of his lecture "Paititi Eldorado Akakor- The Myth Become Reality" Thank you for trusting First of all, thanks to Claudia, for the invitation to participate in this very nice conference in which everything in the presentation has been told, is somehow disregarded in the sense that it is true that I have done all these discoveries in "Leonardo's field" mainly the most complete musical score that relates to the music of the spheres but what I will do tonight, the reason why I attended more than willingly to the invitation extended to me by Claudia is to present, for the first time in public, the discovery of the lost city of Paititi. As you can see my appearance is not very formal, very little formal, especially in the lexicon so do not be scandalized if i will take drifts not pertinent to a scholar. But what matters is what's in the images that we were let: a) by the nature and b) by some heroic Renaissance artist that wanted to draw a wire between all that was the ancient knowledge that the man had in the past and things that by means of religions and groups of cultural conditioning, we were allowed to reach later let's start with this picture, then we will make a brief rundown as it pertains to the music of the spheres because it is what led me, as I will explain, to make the discovery of Paititi. What we see is the view from outside of our galaxy, .. I think you all know it in the form of a double spiral whose center ... go right ahead ... is projecting a stream of cosmic dual energy it seems that within our own galaxy, the Milky Way, there is a black hole, which projects into the whole galaxy this cosmic flow of energy that influences all of our universe So, all that is the movement of the stars, the forms that are on the earth much to the point that Pythagoras said that music is nothing more than ... that matter is nothing but solidified music just because this vibration of which you have spoken more or less all in some way, some directly, some with practices .. resonance .. still more correct ... you have spoke of this during these days and you will speak again tomorrow and after let's continue.. There is a movement called New Age, started in the 60s where it seems that everything that relates to holistic materials , spiritual, is caught from the East in fact, this music, which is not music but a vibrational sector, has always belonged to the knowledge of man so much that Cicero has delivered it to us in writings, Plato himself in the Timaeus delivered it so that, for this reason, Raphael draws it within the School of Athens, with the Timaeus by the arm and the "finger" pointing skywards. I'll leave you to quickly read, not in the complete sense, but the main thing and most important is that this description made by Cicero in "De re publica" is nothing more than a precise description of the influence that the seven major planets, the moon and the sun, carries on within our own galaxy. in a compendium of mathematical and geometrical proportions, such that we have orders to all that is within this universe such that all lead back to the One, that is, at this initial moment in which the cosmic energy was released. .. Let's continue .. That music that Cicero describes in that text, is leaved by Leonardo in musical score This is the musical score that I found in a Renaissance palace, Valtellina with a beautiful flight of birds, in which all that Cicero has narrated, is replicated by Leonardo in music. The important thing is that on this score, that dated 1470, roughly all the Renaissance and Baroque musical movement next, is based. I speak of Pachelbel's Canon, I speak of the choirs of Luther, I speak of the whole movement of Bach's music but the interesting thing is that for example, Giovanni da Palestrina, who is the founder of the Roman musical movement make himself portrayed on a carriage, with behind, or rather .. behind the window of this coach, you have the same left background of the "Mona Lisa" almost as if this painting would indicate where Giovanni da Palestrina went to draw all the musical rules which he then exercised Giovanni da Palestrina, so to speak, is the Bach of the sixteenth century The music, this music, Leonardo hides it in the same way within the "Last Supper" If you saw the flight of birds, the birds flying from right to left and from left to right, in the convergent form In "The Last Supper", the hands go from right to left and from left to right To the right are all left feet and to the left there are all right feet It 'a mirror combination image of the one with which Leonardo did with flight of birds But, in an indication of a laic school of thought, permitted through the Council of Florence in 1430, roughly, by Cosimo De Medici the knowledge, had the ability to access the laic world, which until then had been totally disliked and this thing has allowed the laic world to have access to knowledge of astronomical character , mathematical, musical which until then were the exclusive prerogative of monks and abbots So, all this kind of musical knowledge, as we see, has been replicated, albeit in a less eloquent form, by other artists Lotto, a pupil of Leonardo, "Santa Maria delle Grazie" at Bergamo In the famous Lotto's lines, is the creation, once again, there is the creation with a flight of birds .., very stylized in relation to the 12 signs of the zodiac, which helps to give life to man .. Let's continue .. The same flight of birds, we find it in the plastron of "San Sebastian", Raphael This painting is very important because, as I announced before, is "La Gioconda" by Raphael that is, it is its own proposal in female form is why this music, realizes that catharsis that elevation, such that the male component and female component, gather in the etheric part then that separation between the etheric and material is , in this way, resolute The funny thing ... I walk away ... are the "keys" of an ideal keyboard on this ideal keyboard, if you lay the hand of the "Virgin of the Rocks" you get a frequency, and is the base frequency which is reproduced in all the Renaissance paintings not here, out on the bench the same, the same chord is replicated let's continue .. This is Kircher, beautiful. Kircher is, in spite of Leonardo, the greatest theorist of knowledge I say in spite of Leonardo, because it is a Jesuit and because like everyone else, since Leonardo, gives us a knowledge slightly lower than the perfection. The important thing about this design is that it traces the music of the spheres above the lyre Between the passage of Cicero we've seen before, he said at one point, who knows how to replicate on the lira, the music of the celestial spheres, will have access to the kingdom of heaven. Leonardo arrived in Milan in 1483, in fact I discovered in 1470, but officially in 1473, as a young musician of lyre So the reference to the lyre, is a reference, not to the lyre as a musical instrument, but to the constellation of Lyra The lyre in the South American peoples .. here's Ector with whom we have spoken before .. replicates the vulture, the black bird for the Indians of North America, but in modern times becomes the Hapsburg eagle that is, the central point where, from the center of the galaxy, that energy is radiated in the form of vibrational sector, which regulates everything Go ahead.. I have spoken about Lyra and this is why I have come to abandon "leonardeschi" studies for a small period and incidentally I ended up on Paititi That is, in a conference that I did in November with Bauval at my request, if there were music records in Egypt I received a reply very dry and decisive. The reason for the question was dictated by the fact that the way inside of "The Last Supper" in which Leonardo indicates the notes with the various apostles is no more than the system with which the Egyptians midges, the cantor masters of Egypt, gave the notes to its musicians. Thus, the song was not born with Pythagoras. It does not come with the music by Pythagoras, in the proportional formation to the monochord but it comes much earlier, already in some Egyptian paintings and hieroglyphics. Since 2000 A.C. even there are musical notations of this kind. But if we go for example to the Sumerian "Nume-lil" , there are the life periods of the various rulers the proportions of frequency that are mandatory, or 18,800 years, 25,600 years, 43,200 years etc.etc. So, all I'm telling you, and that in Renaissance art, is under the eyes of all has always been known to humans and is transmitted through the art The indelicate answer of Bauval, made sure that I deepened my belief Or that, the swan, Leonardo's love for the swan and "Leda and the Swan," was in some way, an indication of something specific This is Giza, if we go forward we have: the "Cardboard of St. Anne" overlaid with the Cygnus constellation In turn superimposed on the three pyramids of the Pyramid (an error, he means Piana) of Giza. We see that there is a perfect alignment between the faces that Leonardo uses to identify the various characters The constellation of the Swan and the three pyramids of the Giza plateau Thus, the Orion hypothesis was so somehow challenged In fact, already questioned by other people because there is Collins that is doing the same proposition it comes to the Swan for Göbekli Tepe and many other archaeological sites True or not true, this is what led me to what I'm showing We talked about Lyra, we talked about Swan. Lyra, Cygnus and Aquila identify the Summer Triangle Then for the fact of temporal coherence I hypothesized to overlap the Summer Triangle on Nazca Tiahuanaco, for the opportunity to check a third point that matched In fact I was studying the Nazca lines I do not know then why it happened that I got to do this overlap But the insights are born again by chance. At someone the apple fell on his head, that other saw the clock and then let us not put ourselves too much trouble.. Let's move on .. Summer Triangle, crossed by the Milky Way, as we have seen Let's move on .. Here I step in taking back what I said before "The Expulsion from Paradise", is .. unfortunately Biglino is gone .. But, we will, as we set this morning, do maybe a conference four hands or two heads "The Expulsion from Paradise" identifies the "Original Sin" The "Original Sin" is nothing more than the passage by our etheric body, to the material body This is the only painting of the Renaissance, in which to the left are represented subtle bodies of Light The transition from .. the transition from subtle body to material body determines the expulsion from Paradise I move a little.. On the left, in what looks like a pubis, we have the female genital organ, the male genital organ That is, in the acquisition of our material condition we assume sexual identification But the play of clouds, which is then taken up in many Renaissance engravings, represents the Milky Way With the separation that I just showed up. Go right ahead ... This however is Tintoretto, in which there is a specific reference to music, the constellation of the Swan and the galaxy, as we've seen before The galaxy is, immediate the music, unfortunately, with the lights we see little

Video Details

Duration: 19 minutes and 56 seconds
Country: Italy
Language: English
Views: 64
Posted by: farfalla5 on May 22, 2013


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