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Pierre Vallee - Trois Rivieres, Quebec, Canada - French (Global Lives Project, 2013) -13:00:00 - 13:29:59

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No, go get a . . . ? . . . — . . . ? . . . tank. — . . . ? . . . be careful that people . . . ? . . . because . . . it's dangerous. — The . . . ? . . . with that. — Yeah. Normally no because the connection . . . ? . . . the . . . ? . . . is underground but it's still . . . ? . . . — . . . ? . . . the connection? — . . . ? . . . — Yeah. — . . . ? . . . ? Not necessarily. — . . . ? . . . This is going to loosen up. That's why I . . . ? . . . like this. Ok, stay there. — Eeeaah, now what? It . . . ? . . . — Yeah. — I don't fear for my life anymore. — Yup, now for the big job . . . ? . . . — Look! — But also you know . . . ? . . . . . . ? . . . if you'd go get a long extension for them? from . . . ? . . . here in the vacuum. It fell! — Aaaah! . . . ? . . . — Yes . . . ? . . . . . . ? . . . . . . ? . . . — The snowboard. — Snow bird. You know the, the the jets that make . . . . . . ? . . . ? — No. — No? . . . ? . . . They make figures in the sky. — It works. Guieeeh! — . . . ? . . . How deep is the pool, two? Two meters? Here it's three meters, two meters deep? — . . . ? . . . two thirty, eh. — Yes, two thirty. What time? — . . . ? . . . two fifteen. — Ok. I've got an extra fifteen minutes because . . . they . . . didn't see that the card was full that night. So they, they . . . ? . . . fifteen minutes. Like you, I know how to be correct. — Hmm? — I said, like you, I know how to . . . ? . . . like I've been asked to do it. — Yes, yes. — So I tried to get hold of those fifteen minutes. — Ok. How . . . ? . . . that? — Hmm? — How . . . ? . . . ? — Are you going to work another fifteen minutes on the pool? — . . . ? . . . — A half hour . . . ? . . . for . . . the inside . . . ? . . . at the bottom but . . . ? . . . . . . ? . . . — Yes. — . . . ? . . . a quarter to three . . . ? . . . a quarter to three, I'm going to leave . . . ? . . . — Ah, that's a very good idea. — Yeah. Very good, very good, I hired you as . . . . . . ? . . . — . . . ? . . . — Yeah. — It's just for the . . . ? . . . that . . . ? . . . — Yeah. — So if fifteen minutes are missing, I imagine that that . . . ? . . . makes for a nice image, the door closed . . . You take the time you need. — He won't see it. It didn't move, it's true. He's going to try to cheat. — Eh? — He's going to try to cheat . . . — Yes, that's right. If he ever asks for three minutes . . . ? . . . you . . . ? . . . you . . . ? . . . minutes . . . ? . . . . . . ? . . . ? — No. — Ok, wash this and then . . . ? . . . wash them well. Wash these other things . . . ? . . . Look at it! This is dirty. The . . . ? . . . You have a . . . ? . . . , you have a . . . ? . . . , you wash this. . . . ? . . . this black dust so that it comes off. Some water, from hand to hand. You understand? — . . . ? . . . — . . . ? . . . . . . ? . . . for . . . ? . . . — . . . ? . . . — Eh? — . . . ? . . . I squeeze, I . . . ? . . . — Yes. — . . . ? . . . to play . . . ? . . . — Good luck! Ah . . . ? . . . . . . ? . . . You . . . ? . . . , we'll go in. — . . . ? . . . — Yes, you sponge it with the . . . ? . . . but you need to wash it really well. We . . . ? . . . salt in the filter to filter the pool water. With all of the junk at the bottom, there's a lot of . . . ? . . . The . . . ? . . . the dirt, it accumulates in the filtration . . . ? . . . Now we're doing a . . . ? . . . cleaning. It will . . . ? . . . a backwash to . . . ? . . . the junk to . . . ? . . . in the street. And a . . . ? . . . to make the water clear. We're . . . ? . . . for good suction capacity. . . . ? . . . because I changed the filters in front of the camera to . . . ? . . . Did you film in here, this room? — Yeah, the pool. — No, but did you film the . . . ? . . . — Yes. — And . . . ? . . . ? Ok. — Now? — Yes, did you film right here? — No. Ok, I can. — Yeah, because with the strong lighting I'm changing the filter now, so that I have something because you see the filter that's . . . ? . . . . . . ? . . . Do I put it inside, I . . . ? . . . the bathroom or I . . . ? . . . ? — Eh? — . . . ? . . . the bathroom, I leave . . . ? . . . ? — No, it goes in the bathroom. . . . ? . . . that are over there, we're going to . . . ? . . . a good idea, isn't it? — Mhmm. Do you want . . . ? . . . — . . . ? . . . — Ok. You're sure . . . ? . . ., is that it? — That's it. Me, I'm just making . . . . . . ? . . . I'm making . . . ? . . . . . . ? . . ., eh? You can take over a bit, I'm just going in to the bathroom. I'm going to put on my shoes. — . . . ? . . . — . . . ? . . . so that it comes out of the water? — . . . ? . . . ? — . . . ? . . . so that it comes out of the water. — Yes, I'm going in to the bathroom. — I'm going to put on my shoes. — . . . ? . . . in the water. all the . . . ? . . . as well. — Ok. . . . ? . . . overlooking the water and . . . ? . . . of the camera . . . ? . . . We're leaving. Ok . . . You can, you can get close to the water if you want. — No, no, that's less . . . ? . . . because . . . ? . . . — . . . ? . . . to change? — I don't know, . . . ? . . . — Eh? — . . . ? . . . ? — I'm waiting . . . ? . . . fifty cents . . . ? . . . — . . . ? . . . — How, how long do you really have to work to earn fifty cents? — For one hour. — . . . ? . . . to work one hour in order to . . . buy a drink when you can just . . . ? . . . — No, no . . . ? . . . . . . ? . . . everything's washed. — It's all clean? — Yeah. — Ok, good. Wring them out properly. —. . . ? . . . the lid . . . ? . . . — There it is. — Ah, I . . . ? . . . —This . . . ? . . . must have been dirty with . . . ? . . . — It must . . . ? . . . in the water. — Yeah, but that's exactly why I told you to check it. It's . . . ? . . . in the water. The leaves, and the pollen, and . . . — Yeah, yeah. — . . . ? . . . ? — The leaves, the pollen . . . — Yeah. — You forgot the insects. — Hmm? — You forgot the insects. — Yeah, the insects and then . . . the helicopters. . . . ? . . . — . . . ? . . . We . . . ? . . . the canvas that's . . . ? . . . — What's that? — The side of the canvas for . . . ? . . . that is . . . ? . . . — White? The white thing? — Yeah, it's . . . ? . . . — Yeah, we'll change it. It's a zen job. — Yeah, yeah, yeah, that's true. I imagine that . . . . . . ? . . . it's a job I really like doing. . . . ? . . . a chore. It's more like taking a rest. — Mhmm. — It's not too . . . ? . . . , calm, by the water. With a helping hand . . . ? . . . It's funny because if you asked people who know me . . . They would right away think . . . of me as a zen guy. — How's that? — What? — In what way? — Well, I'm pretty quick to react . . . it's not my style to let people walk all over me. So uh . . .

Video Details

Duration: 30 minutes and 1 second
Country: Canada
Language: French (Canada)
Producer: Karen Vanderborght
Views: 47
Posted by: globallives on Sep 30, 2013

Cleaning the swimming pool with a little help of his oldest son.

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