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Transcript for Giving Voice to the Unspoken

Time Content
00:20 → 00:25

Giving Voice to the Unspoken

00:29 → 00:31

Educational Video Production in Support of the Resource Book

00:31 → 00:35

Participatory 3D Modelling: Guiding Principles and Applications

00:50 → 00:53

In a world where natural resources continue to become scarcer and poorer

00:53 → 00:56

it is increasingly recognised that the cooperation

00:56 → 00:59

and active participation of all those concerned

00:59 → 01:03

are necessary to ensure their sustainable management.

01:03 → 01:07

Distribution, tenure and access are focal issues

01:07 → 01:10

in the management of such resources.

01:10 → 01:14

Having access to mere quantitative and qualitative data

01:14 → 01:17

is not sufficient for their complete understanding

01:17 → 01:21

and use in learning, negotiation and networking processes.

01:21 → 01:24

Data on resource tenure, use and access

01:24 → 01:27

have a lesser meaning if not visualised

01:27 → 01:30

in terms of their distribution over a given territory.

01:31 → 01:33

In the last decade there has been a strong

01:33 → 01:36

drive towards integrating Geographic Information Systems

01:36 → 01:38

better known as GIS

01:38 → 01:41

into community-centred initiatives.

01:41 → 01:42

This particularly

01:42 → 01:45

to deal with the spatial information gathering

01:45 → 01:51

and to allow stakeholders to make informed decisions on how best to manage their environment.

01:52 → 01:54

Most natural resource dependent communities

01:54 → 01:57

are marginalised and isolated

01:57 → 01:59

and do not have the technical and financial capabilities

01:59 → 02:02

needed to handle a GIS.

02:02 → 02:03

As such,

02:03 → 02:06

a method known as Participatory 3 Dimensional Modelling

02:06 → 02:08

or P3DM

02:08 → 02:10

has been conceived to bring GIS potentials

02:10 → 02:12

closer to rural communities.

02:14 → 02:16

This video production

02:16 → 02:18

on Participatory 3D Modelling

02:18 → 02:20

is intended to assist researchers,

02:20 → 02:22

project implementers,

02:22 → 02:25

NGOs and GIS practitioners

02:25 → 02:29

in bringing the power of Geographic Information Technologies

02:29 → 02:31

to the grassroots.

02:31 → 02:33

Participatory 3D Modelling

02:33 → 02:35

integrates conventional and spatial information

02:35 → 02:38

like contour lines and people's knowledge

02:38 → 02:42

to produce stand-alone, scaled and georeferenced relief models.

02:42 → 02:45

These have proved to be user friendly

02:45 → 02:48

and relatively accurate data storage

02:48 → 02:50

and analysis devices

02:50 → 02:53

and at the same time excellent communication media.

02:55 → 02:57

This video shows the various steps

02:57 → 02:59

involved in producing a 3D Model.

02:59 → 03:02

A detailed discussion of the method can be found

03:02 → 03:04

in the accompanying book

03:04 → 03:05

Participatory 3D Modelling:

03:05 → 03:08

Guiding Principles and Applications.

03:09 → 03:13

So far, P3DM has been successfully used

03:13 → 03:16

in Thailand, Indonesia, the Philippines and Vietnam

03:16 → 03:18

in diverse situations

03:18 → 03:20

and for different purposes,

03:20 → 03:23

but all dealing with territorial and natural resource management issues,

03:23 → 03:24

including:

03:25 → 03:26

Supporting Traditional Knowledge

03:28 → 03:30

Collaborative Research and Planning

03:32 → 03:34

Protected Area Management

03:35 → 03:38

Participatory Monitoring and Evaluation

03:40 → 03:43

Conflict Resolution

03:44 → 03:46

Indigenous Peoples' Rights

03:47 → 03:50

Information and Education.

03:55 → 03:59

The functionality of the method is based essentially on the fact

03:59 → 04:01

that it facilitates discovery learning

04:02 → 04:05

visualises knowledge

04:05 → 04:07

improves communication

04:08 → 04:11

and stimulates cohesion among community members.

04:13 → 04:15

It is important to understand

04:15 → 04:17

that a Participatory 3D Modelling exercise

04:17 → 04:20

should be conceived only as a component

04:20 → 04:22

of a broader, long-lasting intervention

04:22 → 04:24

having a clearly defined goal.

04:24 → 04:27

Never do a 3D Modelling exercise

04:27 → 04:29

just for the sake of gathering data.

04:30 → 04:32

You will generate a lot of expectations

04:33 → 04:36

and disillusions among participants.

04:41 → 04:43

The manufacture of the model itself

04:43 → 04:45

is a relatively demanding exercise

04:45 → 04:47

and we would like to show you how to do it.

04:47 → 04:49

Hands-on!

04:53 → 04:56

To show the construction of one of these models

04:56 → 05:00

we had filmed an exercise done in November 2001

05:00 → 05:01

in Vietnam

05:01 → 05:04

at the headquarters of the Pu Mat National Park

05:07 → 05:09

The exercise involved

05:09 → 05:11

more than 120 people.

05:11 → 05:13

Students and teachers from local schools

05:13 → 05:15

were responsible for the construction

05:15 → 05:17

of the blank model.

05:17 → 05:20

80 representatives from ethnic minority groups

05:20 → 05:22

living inside and around the park

05:22 → 05:24

acted as key informants.

05:25 → 05:27

Park staff and government officials

05:27 → 05:30

joint the facilitators in their task.

05:31 → 05:34

The actual construction is the combination

05:34 → 05:36

of months of preparation, that included:

05:37 → 05:39

Selecting the area

05:39 → 05:41

Gathering information

05:41 → 05:43

Doing a stakeholder analysis

05:43 → 05:45

Conducting consultations

05:45 → 05:47

Mobilising the community

05:47 → 05:49

Procuring supplies, and

05:49 → 05:51

looking after the logistics.

05:51 → 05:54

Procurement is one of the critical aspects

05:54 → 05:56

of 3D Modelling.

05:56 → 05:58

You need items which will allow informants

05:58 → 06:00

to reproduce real-world features

06:00 → 06:02

at a given scale

06:02 → 06:04

through clearly identifiable symbols.

06:05 → 06:06

The relief model is made

06:06 → 06:10

by overlaying, custom-cut layers of cartonboard.

06:10 → 06:12

The thickness of the carton

06:12 → 06:15

reproduces the contour interval

06:15 → 06:17

at the desired scale.

06:17 → 06:20

Differentiating among horizontal and vertical scales

06:20 → 06:24

gives the opportunity to enhance the perception of slope.

06:25 → 06:28

Push and map pins are used to represent point data

06:28 → 06:31

like households, social infrastructures,

06:31 → 06:33

landmarks and others.

06:34 → 06:36

Paint is used for symbolising areas

06:36 → 06:38

including land use and cover

06:38 → 06:41

water bodies like lakes, marshes and the sea.

06:44 → 06:46

Yarns are used to show linear data

06:46 → 06:49

like roads, trails and boundaries.

06:49 → 06:54

To work at scale, you need a series of measuring or scaling instruments.

06:54 → 06:56

These include, a calliper

06:56 → 06:59

a scale ruler, plumb line, compass,

06:59 → 07:01

steal measuring tape

07:01 → 07:03

cut-outs of numbers and letters

07:03 → 07:06

and a quick reference guide.

07:08 → 07:13

The base map has to be prepared with precision and adequate referencing.

07:13 → 07:15

Two copies are needed.

07:20 → 07:23

Other supplies are needed in sufficient quantities

07:23 → 07:25

to keep all participants busy.

07:35 → 07:37

The construction of blank models

07:37 → 07:39

is best entrusted to students.

07:39 → 07:42

They are briefed on the mechanics of construction

07:42 → 07:44

before the actual work.

07:44 → 07:47

They are then divided into 3 working groups

07:47 → 07:51

that will trace, cut and paste the different layers.

07:51 → 07:55

The exercise requires at least 3 facilitators

07:55 → 07:58

skilled in cartography or GIS,

07:58 → 08:01

environmental, land use and community work.

08:03 → 08:07

The first activity consists of assembling the base map.

08:32 → 08:36

The map is then glued on a tailored made table.

08:45 → 08:48

It must be emphasised that map, table and carton sheets

08:48 → 08:51

should have exactly the same size.

08:54 → 08:56

To transfer the single contour lines

08:56 → 08:58

from the base map to the carton board

08:58 → 09:00

you need a large carbon paper.

09:02 → 09:05

The best way is to assemble it on the spot

09:05 → 09:08

making sure that its size matches the one of the map.

09:09 → 09:12

Once completed, the carbon paper is placed

09:12 → 09:15

between the base map and one carton board.

09:15 → 09:19

This allows you to trace a selected contour line.

09:22 → 09:25

The traced contour line is used as a guide

09:25 → 09:27

for cutting out the single layers

09:27 → 09:29

using cutters, short solid scissors

09:29 → 09:31

or coping saws.

09:37 → 09:39

The layers are then marked

09:39 → 09:43

with the correspondig elevation and the North orientation.

09:46 → 09:49

Particularly in mountain areas

09:49 → 09:53

the higher the elevation the more segmented each layer will be.

09:53 → 09:56

Depending on its complexity and segmentation

09:56 → 09:59

you may resort to maintaining temporary bridges

09:59 → 10:03

or to independently assembling selected portions of the model.

10:06 → 10:08

A geographic referencing system

10:08 → 10:10

is needed to avoid misplacing

10:10 → 10:12

the various layers.

10:17 → 10:20

Long nails are placed through the table

10:20 → 10:22

to correspond with selected landmarks

10:22 → 10:26

such as mountain peaks or hill tops.

10:32 → 10:34

The second base map is perforated

10:34 → 10:37

to match the nails placed on the based table.

10:42 → 10:45

This allows to perfectly locate succeeding layers.

10:49 → 10:51

Small paper cut-outs are glued

10:51 → 10:53

on the edge of the carton layers

10:53 → 10:55

to strengthen the model

11:00 → 11:02

and smoothen the slopes.

11:05 → 11:08

The use of water-based glue is recommended

11:08 → 11:11

and it has to be diluted to allow easy spreading

11:11 → 11:13

without soaking the carton board.

11:14 → 11:16

Determining the correct dilution,

11:16 → 11:19

and this depends on the quality of the glue available on the market,

11:19 → 11:23

is one of the key factors affecting the quality of the model.

11:24 → 11:28

Watery glue will cause the carton board to weaken and

11:28 → 11:30

the single layers to partially collapse.

11:31 → 11:34

This alters the desired vertical scale.

11:38 → 11:42

It is important that layers are gently compressed on top of each other

11:42 → 11:45

so that the resulting surface is flat.

12:05 → 12:08

The first task has now been completed.

12:09 → 12:13

The blank model is ready to accommodate the knowledge of key informants.

12:14 → 12:18

To do this, coding means should first be prepared.

12:21 → 12:25

It may be hard to find custom-made water-based colours

12:25 → 12:27

at reasonable prices.

12:28 → 12:30

Colour powder can be used instead.

12:41 → 12:43

Sufficient quantities of each colour must be prepared

12:43 → 12:45

to ensure consistency in coding.

12:57 → 13:00

Colour-coded yarns should be used before applying paint

13:00 → 13:03

to allow for a free discussion

13:03 → 13:05

while depicting lines and areas.

13:05 → 13:07

Yarns are flexible coding means

13:07 → 13:10

able to accommodate endless adjustments.

13:15 → 13:17

The legend allows users

13:17 → 13:21

to decode and interpret data displayed on the model.

13:21 → 13:24

Its preparation, particularly the listing

13:24 → 13:26

and description of different terms,

13:26 → 13:28

will determine the usefulness of the model

13:28 → 13:30

and the final intellectual ownership

13:30 → 13:32

of the output.

13:32 → 13:34

Symbols and corresponding definitions

13:34 → 13:36

should be easily understood

13:36 → 13:39

and include features relevant to the informants.

13:40 → 13:42

The second group of participants

13:42 → 13:45

is composed of people who best know the territory

13:45 → 13:48

generally elders, indigenous peoples

13:48 → 13:52

farmers, fisher folk, forest dwellers and others.

13:54 → 13:57

They are oriented in front of the blank model.

13:58 → 14:02

The discussion includes a review of the objectives of the exercise

14:02 → 14:04

of the process of the depicting mental maps

14:04 → 14:07

as well as the reminder to refer to the legend

14:07 → 14:10

when choosing colours and symbols.

14:11 → 14:14

Many people have difficulties in reading maps.

14:14 → 14:16

This is not the case with relief models

14:16 → 14:21

where the vertical dimension offers visible and tangible hints to memory.

14:24 → 14:26

Informants are first asked to identify

14:26 → 14:28

and name familiar features

14:28 → 14:30

such as watercourses

14:30 → 14:33

roads, mountain peaks

14:33 → 14:34

and others.

14:35 → 14:37

This is a critical process

14:37 → 14:39

that follows people's natural orientation

14:39 → 14:41

and learning mechanisms.

14:41 → 14:43

It also allows participants

14:43 → 14:45

to get a progressively deeper grasp

14:45 → 14:48

of their whereabouts in relation to the model.

14:51 → 14:53

They are then asked to outline land use

14:53 → 14:57

and land cover with colour-coded yarns.

15:02 → 15:05

Paint is applied only after everyone agrees

15:05 → 15:09

on the location and identification of various features.

15:25 → 15:27

The physical nature of the model

15:27 → 15:29

enhances discovery learning

15:29 → 15:32

through verbal, visual and physical experiences.

15:32 → 15:34

It stimulates feedback

15:34 → 15:37

promotes debate and negotiation

15:37 → 15:39

and generates shared information

15:39 → 15:41

in visible and tangible formats.

15:43 → 15:45

Pins of different colours and shapes

15:45 → 15:47

are used to locate point data.

15:48 → 15:50

A the 1:10.000 scale

15:50 → 15:52

informants can easily point out

15:52 → 15:54

single households

15:54 → 15:56

and many other features.

16:01 → 16:04

The exercise in Vietnam involved two groups of informants

16:04 → 16:06

working one after the other.

16:06 → 16:09

One villager was asked to introduce newcomers

16:09 → 16:11

to the mechanics of the exercise

16:11 → 16:14

and brief them on his experience.

16:14 → 16:18

For the first time in his life he spoke in front of a large audience

16:18 → 16:20

including government officials,

16:20 → 16:23

park staff, researchers and foreigners.

16:23 → 16:25

This has been an important communication

16:25 → 16:27

and community empowerment aspect

16:27 → 16:29

of the exercise.

16:30 → 16:32

The two groups worked together for sometimes

16:32 → 16:36

to allow cross-checking and validation of data.

16:53 → 16:55

To extract the data from the model,

16:55 → 16:58

a geo-referenced grid with 10 cm intervals

16:58 → 17:00

is placed.

17:06 → 17:08

Each 10 cm interval,

17:08 → 17:11

corresponds to 100 meters on the ground.

17:14 → 17:16

Each resulting square

17:16 → 17:18

is identified by simple coordinates

17:18 → 17:20

based on numbers and letters.

17:32 → 17:34

Using the resulting grid as a reference

17:34 → 17:37

the protected area boundary can be transferred

17:37 → 17:40

from the second base map onto the model.

17:40 → 17:42

This provides stakeholders

17:42 → 17:44

with a clear and factual understanding

17:44 → 17:46

of its perimeter.

17:48 → 17:50

This facilitates a bottom-up approach

17:50 → 17:52

to boundary delineation and zoning,

17:52 → 17:54

activities that frequently tend to be slow

17:54 → 17:59

and confrontational due to unequal access to information.

18:00 → 18:03

A professional digital camera is then used

18:03 → 18:05

to capture data from the model

18:05 → 18:08

through a process similar to aerial photography.

18:20 → 18:23

High resolution pictures are shot in a regular sequence

18:23 → 18:25

from a 4-meter distance

18:25 → 18:27

which, at a 1:10.000 scale,

18:27 → 18:30

corresponds to 40.000 meter elevation.

18:33 → 18:35

The images are transferred to a GIS

18:35 → 18:38

through direct on-screen digitising.

18:42 → 18:46

The legend is the key for decoding data shown on the model.

18:46 → 18:49

A model without a legend is mute and meaningless.

18:50 → 18:53

So, make sure that you store colours' samples

18:53 → 18:55

on blank sheets of paper.

18:55 → 18:57

You will later cut them

18:57 → 18:59

to compose the final legend

18:59 → 19:02

which will be laminated and embedded into the model.

19:04 → 19:06

At the end of the exercise

19:06 → 19:09

group pictures are taken

19:10 → 19:13

and each participant is given an attendance certificate.

19:13 → 19:18

Thereafter, the module is officially handed over to the community.

19:19 → 19:21

These are important events

19:21 → 19:23

particularly for villagers

19:23 → 19:26

because they are given official recognition for their role

19:26 → 19:29

as stakeholders and custodians of knowledge.

19:32 → 19:33

Here it is.

19:33 → 19:35

We all have learnt a lot.

19:35 → 19:37

The landscape of Pu Mat

19:37 → 19:39

will definitely be engraved in my memory

19:39 → 19:41

for a long time.

19:41 → 19:43

I never climbed these mountains

19:43 → 19:46

but after having gone through this exercise as a trainee

19:46 → 19:50

I guess all of us would know better on how to walk around the area.

19:51 → 19:53

But what is definitely more important

19:53 → 19:57

all those participating got a broader view of the environment

19:57 → 19:59

they are living in.

19:59 → 20:01

People from the villages got the chance

20:01 → 20:03

to be actors on the scene

20:03 → 20:07

and gain the rightful recognition of their traditional knowledge.

20:08 → 20:09

In the coming months

20:09 → 20:11

the model will be expanded

20:11 → 20:13

to include the entire National Park

20:13 → 20:15

and its buffer zones.

20:15 → 20:17

More villagers will participate

20:17 → 20:19

as part of a collaborative process

20:19 → 20:22

involving park staff, researchers

20:22 → 20:25

and government officials.

20:25 → 20:27

Increased access to information

20:27 → 20:30

will add transparency to the process

20:30 → 20:32

and favour learning, communication,

20:32 → 20:34

negotiation and decision making

20:34 → 20:37

and hopefully lead to a more sustainable management

20:37 → 20:39

of natural resources.