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Giving Voice to the Unspoken
Duration:
22 minutes and 35 seconds
Year: 2001
Country:
Vietnam
Language:
English
Genre:
Instructional
Producer:
ASEAN Regional Center for Biodiversity Conservation (ARCBC)
Director:
Giacomo Rambaldi
Views:
1,837
(1,182
embedded)
Posted by:
giacomo on Feb 28, 2008
20-minute video production showing the hands-on aspects of Participatory 3D Modelling (P3DM). The video supports all practical aspects of P3DM described in the resource book "Participatory 3-Dimensional Modelling: Guiding Principles and Applications" and documents in detail an exercise conducted within the Pu Mat National Park, a protected area in Vietnam.
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Video Transcription
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- Giving Voice to the Unspoken
- Educational Video Production in Support of the Resource Book
- Participatory 3D Modelling: Guiding Principles and Applications
- In a world where natural resources continue to become scarcer and poorer
- it is increasingly recognised that the cooperation
- and active participation of all those concerned
- are necessary to ensure their sustainable management.
- Distribution, tenure and access are focal issues
- in the management of such resources.
- Having access to mere quantitative and qualitative data
- is not sufficient for their complete understanding
- and use in learning, negotiation and networking processes.
- Data on resource tenure, use and access
- have a lesser meaning if not visualised
- in terms of their distribution over a given territory.
- In the last decade there has been a strong
- drive towards integrating Geographic Information Systems
- better known as GIS
- into community-centred initiatives.
- This particularly
- to deal with the spatial information gathering
- and to allow stakeholders to make informed decisions on how best to manage their environment.
- Most natural resource dependent communities
- are marginalised and isolated
- and do not have the technical and financial capabilities
- needed to handle a GIS.
- As such,
- a method known as Participatory 3 Dimensional Modelling
- or P3DM
- has been conceived to bring GIS potentials
- closer to rural communities.
- This video production
- on Participatory 3D Modelling
- is intended to assist researchers,
- project implementers,
- NGOs and GIS practitioners
- in bringing the power of Geographic Information Technologies
- to the grassroots.
- Participatory 3D Modelling
- integrates conventional and spatial information
- like contour lines and people's knowledge
- to produce stand-alone, scaled and georeferenced relief models.
- These have proved to be user friendly
- and relatively accurate data storage
- and analysis devices
- and at the same time excellent communication media.
- This video shows the various steps
- involved in producing a 3D Model.
- A detailed discussion of the method can be found
- in the accompanying book
- Participatory 3D Modelling:
- Guiding Principles and Applications.
- So far, P3DM has been successfully used
- in Thailand, Indonesia, the Philippines and Vietnam
- in diverse situations
- and for different purposes,
- but all dealing with territorial and natural resource management issues,
- including:
- Supporting Traditional Knowledge
- Collaborative Research and Planning
- Protected Area Management
- Participatory Monitoring and Evaluation
- Conflict Resolution
- Indigenous Peoples' Rights
- Information and Education.
- The functionality of the method is based essentially on the fact
- that it facilitates discovery learning
- visualises knowledge
- improves communication
- and stimulates cohesion among community members.
- It is important to understand
- that a Participatory 3D Modelling exercise
- should be conceived only as a component
- of a broader, long-lasting intervention
- having a clearly defined goal.
- Never do a 3D Modelling exercise
- just for the sake of gathering data.
- You will generate a lot of expectations
- and disillusions among participants.
- The manufacture of the model itself
- is a relatively demanding exercise
- and we would like to show you how to do it.
- Hands-on!
- To show the construction of one of these models
- we had filmed an exercise done in November 2001
- in Vietnam
- at the headquarters of the Pu Mat National Park
- The exercise involved
- more than 120 people.
- Students and teachers from local schools
- were responsible for the construction
- of the blank model.
- 80 representatives from ethnic minority groups
- living inside and around the park
- acted as key informants.
- Park staff and government officials
- joint the facilitators in their task.
- The actual construction is the combination
- of months of preparation, that included:
- Selecting the area
- Gathering information
- Doing a stakeholder analysis
- Conducting consultations
- Mobilising the community
- Procuring supplies, and
- looking after the logistics.
- Procurement is one of the critical aspects
- of 3D Modelling.
- You need items which will allow informants
- to reproduce real-world features
- at a given scale
- through clearly identifiable symbols.
- The relief model is made
- by overlaying, custom-cut layers of cartonboard.
- The thickness of the carton
- reproduces the contour interval
- at the desired scale.
- Differentiating among horizontal and vertical scales
- gives the opportunity to enhance the perception of slope.
- Push and map pins are used to represent point data
- like households, social infrastructures,
- landmarks and others.
- Paint is used for symbolising areas
- including land use and cover
- water bodies like lakes, marshes and the sea.
- Yarns are used to show linear data
- like roads, trails and boundaries.
- To work at scale, you need a series of measuring or scaling instruments.
- These include, a calliper
- a scale ruler, plumb line, compass,
- steal measuring tape
- cut-outs of numbers and letters
- and a quick reference guide.
- The base map has to be prepared with precision and adequate referencing.
- Two copies are needed.
- Other supplies are needed in sufficient quantities
- to keep all participants busy.
- The construction of blank models
- is best entrusted to students.
- They are briefed on the mechanics of construction
- before the actual work.
- They are then divided into 3 working groups
- that will trace, cut and paste the different layers.
- The exercise requires at least 3 facilitators
- skilled in cartography or GIS,
- environmental, land use and community work.
- The first activity consists of assembling the base map.
- The map is then glued on a tailored made table.
- It must be emphasised that map, table and carton sheets
- should have exactly the same size.
- To transfer the single contour lines
- from the base map to the carton board
- you need a large carbon paper.
- The best way is to assemble it on the spot
- making sure that its size matches the one of the map.
- Once completed, the carbon paper is placed
- between the base map and one carton board.
- This allows you to trace a selected contour line.
- The traced contour line is used as a guide
- for cutting out the single layers
- using cutters, short solid scissors
- or coping saws.
- The layers are then marked
- with the correspondig elevation and the North orientation.
- Particularly in mountain areas
- the higher the elevation the more segmented each layer will be.
- Depending on its complexity and segmentation
- you may resort to maintaining temporary bridges
- or to independently assembling selected portions of the model.
- A geographic referencing system
- is needed to avoid misplacing
- the various layers.
- Long nails are placed through the table
- to correspond with selected landmarks
- such as mountain peaks or hill tops.
- The second base map is perforated
- to match the nails placed on the based table.
- This allows to perfectly locate succeeding layers.
- Small paper cut-outs are glued
- on the edge of the carton layers
- to strengthen the model
- and smoothen the slopes.
- The use of water-based glue is recommended
- and it has to be diluted to allow easy spreading
- without soaking the carton board.
- Determining the correct dilution,
- and this depends on the quality of the glue available on the market,
- is one of the key factors affecting the quality of the model.
- Watery glue will cause the carton board to weaken and
- the single layers to partially collapse.
- This alters the desired vertical scale.
- It is important that layers are gently compressed on top of each other
- so that the resulting surface is flat.
- The first task has now been completed.
- The blank model is ready to accommodate the knowledge of key informants.
- To do this, coding means should first be prepared.
- It may be hard to find custom-made water-based colours
- at reasonable prices.
- Colour powder can be used instead.
- Sufficient quantities of each colour must be prepared
- to ensure consistency in coding.
- Colour-coded yarns should be used before applying paint
- to allow for a free discussion
- while depicting lines and areas.
- Yarns are flexible coding means
- able to accommodate endless adjustments.
- The legend allows users
- to decode and interpret data displayed on the model.
- Its preparation, particularly the listing
- and description of different terms,
- will determine the usefulness of the model
- and the final intellectual ownership
- of the output.
- Symbols and corresponding definitions
- should be easily understood
- and include features relevant to the informants.
- The second group of participants
- is composed of people who best know the territory
- generally elders, indigenous peoples
- farmers, fisher folk, forest dwellers and others.
- They are oriented in front of the blank model.
- The discussion includes a review of the objectives of the exercise
- of the process of the depicting mental maps
- as well as the reminder to refer to the legend
- when choosing colours and symbols.
- Many people have difficulties in reading maps.
- This is not the case with relief models
- where the vertical dimension offers visible and tangible hints to memory.
- Informants are first asked to identify
- and name familiar features
- such as watercourses
- roads, mountain peaks
- and others.
- This is a critical process
- that follows people's natural orientation
- and learning mechanisms.
- It also allows participants
- to get a progressively deeper grasp
- of their whereabouts in relation to the model.
- They are then asked to outline land use
- and land cover with colour-coded yarns.
- Paint is applied only after everyone agrees
- on the location and identification of various features.
- The physical nature of the model
- enhances discovery learning
- through verbal, visual and physical experiences.
- It stimulates feedback
- promotes debate and negotiation
- and generates shared information
- in visible and tangible formats.
- Pins of different colours and shapes
- are used to locate point data.
- A the 1:10.000 scale
- informants can easily point out
- single households
- and many other features.
- The exercise in Vietnam involved two groups of informants
- working one after the other.
- One villager was asked to introduce newcomers
- to the mechanics of the exercise
- and brief them on his experience.
- For the first time in his life he spoke in front of a large audience
- including government officials,
- park staff, researchers and foreigners.
- This has been an important communication
- and community empowerment aspect
- of the exercise.
- The two groups worked together for sometimes
- to allow cross-checking and validation of data.
- To extract the data from the model,
- a geo-referenced grid with 10 cm intervals
- is placed.
- Each 10 cm interval,
- corresponds to 100 meters on the ground.
- Each resulting square
- is identified by simple coordinates
- based on numbers and letters.
- Using the resulting grid as a reference
- the protected area boundary can be transferred
- from the second base map onto the model.
- This provides stakeholders
- with a clear and factual understanding
- of its perimeter.
- This facilitates a bottom-up approach
- to boundary delineation and zoning,
- activities that frequently tend to be slow
- and confrontational due to unequal access to information.
- A professional digital camera is then used
- to capture data from the model
- through a process similar to aerial photography.
- High resolution pictures are shot in a regular sequence
- from a 4-meter distance
- which, at a 1:10.000 scale,
- corresponds to 40.000 meter elevation.
- The images are transferred to a GIS
- through direct on-screen digitising.
- The legend is the key for decoding data shown on the model.
- A model without a legend is mute and meaningless.
- So, make sure that you store colours' samples
- on blank sheets of paper.
- You will later cut them
- to compose the final legend
- which will be laminated and embedded into the model.
- At the end of the exercise
- group pictures are taken
- and each participant is given an attendance certificate.
- Thereafter, the module is officially handed over to the community.
- These are important events
- particularly for villagers
- because they are given official recognition for their role
- as stakeholders and custodians of knowledge.
- Here it is.
- We all have learnt a lot.
- The landscape of Pu Mat
- will definitely be engraved in my memory
- for a long time.
- I never climbed these mountains
- but after having gone through this exercise as a trainee
- I guess all of us would know better on how to walk around the area.
- But what is definitely more important
- all those participating got a broader view of the environment
- they are living in.
- People from the villages got the chance
- to be actors on the scene
- and gain the rightful recognition of their traditional knowledge.
- In the coming months
- the model will be expanded
- to include the entire National Park
- and its buffer zones.
- More villagers will participate
- as part of a collaborative process
- involving park staff, researchers
- and government officials.
- Increased access to information
- will add transparency to the process
- and favour learning, communication,
- negotiation and decision making
- and hopefully lead to a more sustainable management
- of natural resources.


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