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Transcript for Colmena

Time Content
00:11 → 00:17

The Electronic Life Forms project started in 2004 by a workshop with Ralf Schreiber and Strudel.org where we worked on analog robots

00:17 → 00:20

at the Academy of Media Art in Cologne

00:20 → 00:26

So then we started to think about electronic life forms, artificial life

00:26 → 00:34

what is artificial life, how can you build artificial life and what's important

00:34 → 00:37

and what are important principles for artificial life.

00:38 → 00:44

So we started to solder little robots, which are really simple

00:44 → 00:48

analog creatures and circuits

00:48 → 00:51

they produce sound and movement

00:51 → 00:55

and are totally fed by solar light

00:55 → 00:58

so they are autarkic in a way

00:59 → 01:05

that they start when the sun goes up and they stop when the sun goes down

01:05 → 01:12

The Colmena project will be about 100 creatures, handknitted

01:12 → 01:17

handknitted wire in cylindrical forms

01:17 → 01:28

this will be the nest of the creatures and keep them protected from the weather

01:28 → 01:30

the solar cells will be outside

01:30 → 01:38

and catch the sunlight, and underneath there is a small motor

01:38 → 01:45

that creates the movement of the electronic circuit

01:45 → 01:49

and there are some piezo speakers coming outside of the creatures

01:49 → 01:54

or the nest, which recreate the sound of the creatures.

01:54 → 01:59

so we will hang them underneath trees

01:59 → 02:03

in the whole park, and there will be two big swarms

02:03 → 02:13

a big one and a smaller one, and some solo creatures in some other spots in the park as well

02:13 → 02:18

so it's kind of an invasion of the creatures of the Miró park.

02:29 → 02:33

When we received the invitation to participate in this award competition

02:33 → 02:37

we started to do some research about the work of Miró

02:37 → 02:40

and our work, and found some parallels

02:40 → 02:43

of course, we have been familiar with his paintings

02:43 → 02:46

and his graphical work, but less with his sculptural work

02:46 → 02:49

So that was very inspiring for us to see

02:49 → 02:52

and also to learn what he thought about his work

02:52 → 02:55

that he had these pictures in his mind

02:55 → 02:58

that maybe at night they would start living, they would explore the nature

02:58 → 03:04

and he was very interested in the idea of merging his sculptural work and nature.

03:04 → 03:06

So this is pretty much what we thought

03:06 → 03:10

could be a nice new edge within the ELF project

03:10 → 03:14

so our ELFs are inspired

03:14 → 03:15

by his paintings in a formal way

03:15 → 03:19

We have an organic, but kind of geometric shape

03:19 → 03:22

and at the same time these creatures are very autarkic,

03:22 → 03:24

they live by themselves,

03:24 → 03:27

so there is no human being involved to make them alive

03:27 → 03:31

and this is what we think was in Miró's mind

03:31 → 03:34

when he was thinking about his sculptures and his work.