Try it this way. This is the original, the way it was written. He got thirsty from waiting. Let’s just do it the two of us, unplugged. Here, you can refresh your memory. (guitar playing) ♪ The youth - let it pass. Life has to... ♪ Just play it in B minor. Let me sing… ♪ And the youth - let it pass. Life has to go somewhere. ♪ ♪ Even the wounds that are visible - everything will pass, it will all pass. ♪ Listen, now I play and sing. ♪ Even the wounds that are visible... Life had to go somewhere. ♪ ♪ Even the wounds that are visible - everything will pass. ♪ ♪ Wine and guitars I wish in my home tonight. ♪ Don't tell him. Bendzo, don't get into this. Let me deal with it. - OK. - Look, let me tell you something if you want to hear me out. There has to be some logic in music. The song is in C major. And this F minor, B minor and C major sound like it's a folk song. - Try to do it this way and see how it turns out. ♪ And the youth - let it pass. Life has to go somewhere. ♪ ♪ Even the wounds that are visible - everything will pass, it will all pass. ♪ Well, it’s the same, just looks richer to me. - I don't really mind. Let's try it one more time. - Bendzo, come on, please. - Let's try it one more time. We don't have to try it, just do it like this. - I'll play it like this. - Then there's no need to try it. ♪ And the youth - let it pass. Life has to go somewhere. ♪ ♪ Even the wounds that are visible - everything will pass, it will all pass. ♪ - Do you like it this way? - Yes. - He doesn’t want to film you, but me. - I don't mind, but they will watch the film and ask, "why is this guy singing off key?" - Who composed that song? - Is that Kemal's song? - No, no, no. I forgot whose it is. - Is it Arsen's? - It's possible. Gabi used to sing it and Dragan Stojnic. They sang it in alternation. You know what alternation used to be then. - Would this thing go? (playing the guitar) (singing) - Let’s play this again. (guitar playing) Not that… (singing) tadadada… Nidzo, try it like this (singing) tadada… (guitar playing) - Great. - Tremolo? - That's the way. Just finger picking. 1, 2, 3, 4. 1, 2, 3, 4. ♪ Wine and guitars - let them fill my night again. ♪ ♪ That old wine and guitars. Tonight the friends will come. ♪ ♪ The time may stop when everybody gathers here. ♪ ♪ We'll be on some other side of life tonight. ♪ ♪ And the youth—let it pass. Life has to go somewhere. ♪ ♪ Even the wounds that are visible—everything will pass, it will all pass. ♪ ♪ Wine and guitars I wish in my home tonight. ♪ ♪ When the old friends come, don’t let them find the pain in my heart. ♪ ♪ The time may stop when everybody gathers here. ♪ ♪ We'll be on some other side of life tonight. ♪ ♪ And the youth - let it pass. Life has to go somewhere. ♪ ♪ Even the wounds that are visible - everything will pass, it will all pass. ♪ ♪ Wine and guitars I wish in my home tonight. ♪ ♪ When the old... ♪ Hey, hey... You lost it there and that's it. You made mistakes there, and I don’t have a good intonation. - The second part? - Like that, keep the harmony. I’m just improvising a bit. - Look, there's no need to improvise. The harmony should be like this... ♪ When the old friends come, don’t let them find the pain... ♪ It's the last verse. ♪ When the old friends come... ♪ - That's what I'm expecting. That's right. I'm playing the way it's written. ♪ ...let it stop. Life has to go somewhere. ♪ ♪ Even the wounds that are visible - everything will pass, it will all pass. ♪ ♪ Wine and guitars I wish in my home tonight. ♪ ♪ When the old friends come, don’t let them find the pain in my heart. ♪ - Since it was different, the end needs to be different. - Did we clear it up? - And at that moment I was pouring beer. (everybody laughing) - OK. Did we clear it up? Let’s just do the solo, the second stanza and the end. Come on. (playing the Chicken Dance) - You know that joke about...? - I know. I'll be right there, just to finish this. - One more time, no talking. - OK. (they start playing the tune) ♪ Wine and guitars - let them fill my night again. ♪ ♪ That old wine and guitars. Tonight the friends will come. ♪ ♪ The time may stop when everybody gathers here. ♪ ♪ We'll be on some other side of life tonight. ♪ ♪ And the youth - let it pass. Life has to go somewhere. ♪ ♪ Even the wounds that are visible - everything will pass, it will all pass. ♪ ♪ Wine and guitars I wish in my home tonight. ♪ ♪ When the old friends come, don’t let them find the pain in my heart. ♪ ♪ La la la la la... ♪ ♪ The time may stop when everybody gathers here. ♪ ♪ We'll be on some other side of life tonight. ♪ ♪ And the youth - let it pass. Life has to go somewhere. ♪ ♪ Even the wounds that are visible - everything will pass, it will all pass. ♪ ♪ Wine and guitars I wish in my home tonight. ♪ ♪ When the old friends come, don’t let them find the pain in my heart. ♪ ♪ La la la la la... ♪ - We still made some mistakes, but OK, it was better. - I was following the paper. Give Pindzula to see, so we can play the way it's written. - Let’s play something else. - OK, let's… Wait... Let’s do this, this is a simple one…. D major. ♪ Roses are red. Secrets are hidden. Sweet is... ♪ It's also a duo. - Solo goes the same way as the melody? - Yes, like the chorus. (guitar playing) - These are the leaps. Who'll manage that? - That’s it… (singing) tarararara... You can put some ornaments too. - That's it. - OK, see, we have it like this... (playing) - That’s good, too. ♪ In the first grade I wrote in your year book on the first page: ♪ ♪ Roses are red, secrets are hidden, music is sweet, but not like you. ♪ ♪ Roses are red, secrets are hidden, music is sweet, but not like you. ♪ ♪ And then you left, and in my letters you read again and again: ♪ ♪ Roses are red, secrets are hidden, music is sweet, but not like you. ♪ ♪ Roses are red, secrets are hidden, music is sweet, but not like you. ♪ ♪ And then you left, and in my letters you read again and again: ♪ ♪ Roses are red, secrets are hidden, music is sweet, but not like you. ♪ ♪ Roses are red, secrets are hidden, music is sweet, but not like you. ♪ - Let’s try this. 'Uhvati vetar' (Catch the wind). - You really found the one for me. So, look, in the chorus it goes like this: G major, Fis minor, E minor. ♪ Catch the wind and ask if it knows her. ♪ (guitar tries to play it) (whistling) - Stay on E minor a bit. ♪ ...if it knows her. ♪ - It's the beginning of the first verse. - What do we play there? - You'll hear. Here you have only D and G. And some A later. You'll hear. So, we start... the tree. - It starts in G. - Wait. The tree. ♪ Do I know of...♪ - G major. - ♪...that passes. ♪ ♪ Do I know of love that passes and disappears like a long summer’s day? ♪ ♪ Do I know of sorrow which comes and tortures you ♪ ♪ when after the happiness you're alone. ♪ ♪ Catch the wind and ask if it knows her. ♪ ♪ Years fly and disappear with no return, and the past slowly takes everything, ♪ ♪ but the first love always stays as a memory of long lost dreams. ♪ ♪ Catch the wind and ask if it knows her. ♪ ♪ Catch the wind and ask if it knows her. ♪ ♪ She was sixteen, I remember, and had the eyes as blue as a day. ♪ ♪ But one day she left to steal someone else's dream. ♪ ♪ Catch the wind and ask if it knows her. ♪ - That’s how we’ll finish. - There’s something after E major, some A major. (whistles and plays guitar) - OK. - No, there has to be some. - I think we made a mistake with A major. - No chance. - I haven’t played it for years, but I’m sure. - We made a huge mistake. - Do you know this one Nidzo, you played this. Give me E minor. (singing) tadada… (guitar playing) E minor. Give him some. I love reminding you. (guitar playing) Come on, finger pick it. ♪ Play again, my friend, that old song. Play to me about her. ♪ ♪ I’ll cry for her tonight to console my empty heart. ♪ ♪ Nothing will bring her back again into my life ♪ ♪ Only this old song, my friend. ♪ ♪ Play, play, play it again this night at least. ♪ ♪ I know that she’ll come back never, never again. ♪ ♪ Play again, my friend, that old song. Play to me about her. ♪ ♪ I’ll cry for her tonight to console my empty heart. ♪ ♪ Play, play, play it again, play it all night long. ♪ ♪ I know that she’ll come back never, never again. ♪ ♪ Play, play, play it again, play it all night long. ♪ ♪ I know that she’ll come back never, never again. ♪ - You are weak, Nidzo. - How old we must be if we remember this song. - Can you do this one? - We can. How does it start? - In G major. (guitar playing) - Do you need to refresh your memory? Just pluck the G. ♪ You were my most everything, in good and in bad. ♪ ♪ In good and in bad. ♪ ♪ Believe it or not, you are my everything. The best, the best. ♪ ♪ You were my most everything, in good and in bad. ♪ ♪ In good and in bad. ♪ ♪ Believe it or not, you are my everything. The best, the best, the best in everything. ♪ ♪ All the others offer me their darkness, and from you only the eternal light shines. ♪ ♪ That is why you are my everything best. The best, the best. ♪ ♪ All the others offer me their darkness, and from you only the eternal light shines. ♪ ♪ That is why you are my everything best. The best, the best, the best in everything. ♪ ♪ You were my most everything, in good and in bad. ♪ ♪ In good and in bad. ♪ ♪ Believe it or not, you are my everything. The best, the best, the best in everything. ♪ ♪ All the others offer me their darkness, and from you only the eternal light shines. ♪ ♪ That is why you are my everything best. The best, the best. The best, the best. ♪ ♪ All the others offer me their darkness, and from you only the eternal light shines. ♪ ♪ That is why you are my everything best. The best, the best, the best in everything. ♪ - You could've played the solo in the end too and then finish.