Get Creative

Duration: 6 minutes and 37 seconds

Country: United States

Language: English

License: CC - Attribution Non-commercial Share Alike

Genre: Instructional

Views: 1,145 (329 embedded)

Posted by: creativecommons on Jul 10, 2009

CC’s signature animated film covers the basics of why we formed, what we do, and how we do it.

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GET CREATIVE: being the origin and adventures of the creative commons licensing project.
These are Jack and Meg White. Also known as the White Stripes.
They're a band from Detroit; they make rock and roll without a bass guitarist.
This is Steve MacDonald, of the veteran band Redd Kross.
Steve thought the White Stripes could use a bass player. So he appointed himself.
e took the White Stripes' album, called "White Blood Cells,"
and re-recorded it, laying a bass track down on every song
Then he released the results as mp3s on Redd Kross' website
he even made up a new cover and title -- "Redd Blood Cells."
MacDonald began putting these copyrighted songs online without permission from the White Stripes or their record label
During the project he bumped into Jack White who gave him spoken assent to continue
It can be that easy when you skip the intermediaries.
Collaboration across space and time.
Creative co-authorship with people you've never met.
Standing on the shoulders of your peers
It's what the internet is all about
It can be that easy when you skip the intermediaries.
But couldn't it be easier still?
Not many of us are liable just to bump into Jack White and get the green light
And he's not going to let just anyone play the bass over his songs in any case
But what about other artists who might want you or me to play along?
Shouldn't we be able to if they don't mind?
Enter one of the internet's most famous citizens
A face familiar the world over, a public identity rivaled only by a handful of corporate giants and global superstars
the big copyright C
Everyone knows what big C stands for
Big C means Ask Permission
Big C protects copyright owners and notifies the rest of us of their ownership
Time was you had to put big C on anything you wanted to copyright or else it entered the public domain
a commons of information where nothing is owned and all is permitted
You had to put the world on notice to warn them, that was Big C's job
And it was a useful one
What changed? The law.
By the late 1980s, US law had changed so that works become copyrighted automatically the moment they're made
The moment you hit save on that research paper
the second the shutter snaps closed
the instant you lift your pen from that cocktail napkin doodle
your creation is copyrighted, whether Big C makes a cameo or not
So, suddenly, there's no quick way of knowing whether something is owned or not
The new rules may be clear about how you get to own a work
you don't have to do anything
but they say nothing at all about how you should go about announcing that you want to allow certain uses of your work
So what? Well, if you're a digital filmmaker whose every frame must be cleared by an army of lawyers before making the cut,
or if you're in a band whose label won't let you put a song on a filesharing network
or if you're a professor trying to put together online course materials
or if you're a DJ, chasing down permission to use every snippet of song in your sonic collage
If you're one of these people, then you know "So what."
We interrupt this brainstorm to call the lawyers!
You drop what you're doing and call all the lawyers. You ask for permission
even to use a work whose author doesn't mind if you use it
because you have no idea what the author's intent is
you ask for permission, even to share some of your rights
Or you venture forward unsure what your rights and risks are, exactly
Or, in a haze of legal doubt, you do nothing
Bottom line, Big C is out of a job, the middlemen are not
Enter Creative Commons. Creative Commons wanted to find an easy way to help people tell the world up front
that they want to allow some uses of their work
We called the experts, the US Copyright Office, for their advice
Their response? There's no real answer. Get creative.
So we got creative! How? Our CC brand marks works that are governed by Creative Commons licenses
a set of standardized copyright licenses that are available, free of charge, on our website
We wrote these licenses so that lawyers and courts could read them
Then we translated them into a language you can read
And then we translated them into a language computers can read
Now, CC isn't meant to compete with copyright, but to compliment it
It allows you to retain your copyright, while granting the world permission to make certain uses of it, upon certain conditions
If the Big C is like a red light, then CC is a green light
If the Big C says, "No Trespassing," the double C says "Please come in."
So you can use the power of the net to find works free to share and build upon
and to invite other people to transform or trade yours, so that you can get creative
Not only with what you make, but how you make it available
So you can collaborate across space and time
so you can be a co-author with somebody you've never met
so you can stand on the shoulders of your peers
All without asking permission, because permission has already been granted
Creative Commons: get creative. It's easy when you skip the intermediaries

Get Creative

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