Transcript for Media That Matters & Creative Commons
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| 00:23 → 00:26 |
Arts Engine is a non profit media arts organization |
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and we are dedicated to promoting, producing and distributing social issue media, or media of consequence |
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And the idea is media is a great tool for a conversation starter |
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Arts Engine picked up the Creative Commons licenses as a way to help people distribute their media |
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Arts Engine realized that it was in their interest for people to share the documentaries they were helping promote |
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and so long as they didn't do it commercially, and didn't make modifications, it was a good plan for Arts Engine to start releasing works that way |
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If a video creator uses Creative Commons on their video, they can mark their video as such |
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and there are some technical ways they can do that, there are some systems for it |
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The viewer in Miro can actually see that the video is marked with a Creative Commons license |
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so that automatically sort of lets people know what they can and can't do with this media |
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Creative Commons is a great tool for us for online video |
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We have shown our videos online for many years, but it really ensures that we can share |
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that we can allow people to copy and re-distribute |
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but it also ensures for ourselves and for our partners that we're maintaining the integrity of the work |
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I have really been thrilled with the way that Media That Matters has distributed "Bush 4 Peace." |
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You took it on tour to a lot of festivals around all sorts of places |
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and then really got it online at a time when not many people were putting video online |
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And it's now years later, like five years later |
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and I think it's still being seen all over the place |
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because of the work that Media That Matters did to put it out on the internet |
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It's basically every filmmaker's dream |
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You want to be able to use other sources, you want to use other archival footage that you're not going to get sued for |
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What's happening is as more people are using their computers as a central means of entertainment |
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and watching all their media on their computer |
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having a license like Creative Commons is an amazing way to spread your media |
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We used the music of an artist by the name of DZK in our film "Arctic Son," |
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and had he had a record company or a publishing house in the process |
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we could never have afforded to use his song |
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But because we found his song online through Creative Commons |
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we were able to use a great piece of music for our film |
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and he was able to bring his [music] to an audience that might never have heard it otherwise |
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It gives you as an artist protection and the control over what people can do with your media |
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while at the same time allowing people the freedom to share your work |
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to get your work out into the world |
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and to, if you want them to, use your work to create their own work |
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There's a lot of different ways you can control what is done with your films but without limiting people and their access to it |
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I think Creative Commons has given our film the chance to really travel around the planet |
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and people have been passing it from person to person and sharing it with lots and lots of people |
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I think "Bush 4 Peace" has probably gone out to several hundred thousand people |
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and that's because of the internet, it's because of internet video, and it's because of things like Creative Commons |
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Now it's just up to the media makers, to sort of learn about this stuff, to sort of learn about the advantages of open distribution, and take advantage of them |
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I think it's a great means of opening up your media, particularly as a young filmmaker |
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and allowing many people to watch your film and your product |
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There are a lot of creators who are just starting off as well as really big names who have used Creative Commons |
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as a way to encourage people to share and really push on the promise of technology to help participatory culture |
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I see Creative Commons and the free exchange of creative ideas and the sharing of artistic works |
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as only enhancing and benefitting everyone |
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The whole idea of creating media and creating these films is to reach out to people |
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to show them to people, to open their minds, or introduce new ideas |
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How can we do that, if you're just stopping this flow of knowledge, this flow of ideas? |
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I think new filmmakers have to embrace kind of the new media that's happening |
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and to think about ways to make that work with what you're doing aesthetically, and what you're doing with your content |
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There's a lot of great tools out there and I think filmmakers |
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a lot of people are making films and they're kind of holding on to their old world dreams of what success is |
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and how films can get out there |
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So it'd be really great to see filmmakers embrace new media in a way that makes it really powerful for the filmmaker |
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I think Arts Engine is really excited about working together with Creative Commons |
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I think we've worked together for a number of years and because we have these different programs |
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we're seeing the possibilities open up in terms of how we can really work together |
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And I think it's only the beginning and I'm excited about seeing what can happen |
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For more information and to submit your short film for our next collection, please visit www.mediathatmattersfest.org |