Transcript for Dušan Lazić - Vojka, Serbia - Serbian (Global Lives Project, 2009) ~20:51:54 - 21:19:54

- We should just put solo in the end and that's it. (guitar playing) - This part confuses me. - Really? Let’s do this again. (singing the melody and trying it on the guitars) - That's right. That's right. Just hit the G string and I start. And the solo... When I finish, on my last hit you start the solo. - OK, it doesn't matter. ♪ The best in everything. Nananananana... ♪ - I know. I know. - You sang something more recent, as I recall, on your compilation. - What? - Zdravko Colic and... I don't know. - Which one is my glass? - I don't have a clue. - Someone took it. - Hey, I rearranged some things here. What were you drinking? Bear, mineral water? Spill that. - Never mind. If that's yours. Let me read you... We have a message from Goran. - OK. 'Oh my cock, while you are strong, all women want to touch you... but when age overpowers you and when your mighty balls wither away, you will give a lot of money for some meat. All the cocks, straight or curved, I wish you to be alive and well. A good cock is all that women need. They love it more than bread.' - Bravo. - I didn't even tell him that I came here. - Can you play this? You should refresh your memory a bit more. - What is it? This one is maybe a bit more difficult. 'Pesmo moja' (My song!) by Colic. What do you want? We've passed that. - Let's play something else. - You wanna choose? - OK. Isn't that a bit too high? - Yes, a lot. - Let's try it. - Try it in G minor, that’s my recommendation. - Yes, try it. (guitar playing) - OK. G minor. (they start playing the tune) ♪ Stay, so I could tell you something more. Stay, it’s been such a bad day. ♪ - It's too fast. Punk version. (strumming guitar in punk style) - Come on. - Dule, if we play it in this tempo, you need to jump a bit, punk version. If we play it normally, then nothing - Slowly in our case. (start playing again) ♪ Stay, so I could tell you something more. Stay, it’s been such a bad day. ♪ ♪ Stay, so I wouldn’t be alone anymore, coz sorrow is all I know. ♪ ♪ Talk to me, even fairy tales, I don’t care. Talk to me, you’ll chase away the evil. ♪ ♪ Talk to me, let your arms and your voice give me peace for a moment. ♪ ♪ You are the only one that comes when I need you. ♪ ♪ You’re the sun of my sky. I can tell you everything. ♪ ♪ You are the only one that keeps my secrets. ♪ ♪ You are my first love. Come with me anywhere. ♪ ♪ Stay, you’re not the same, but you know. Stay to give me strength again. ♪ ♪ Talk to me, let your arms and your voice give me peace for a moment. ♪ ♪ Talk to me, even fairytales, I don’t care. Talk to me, you’ll chace away the evil. ♪ ♪ Talk to me, let your arms and your voice give me peace for a moment. ♪ ♪ You are the only one that comes when I need you. ♪ ♪ You’re the sun of my sky. I can tell you everything. ♪ ♪ You are the only one that keeps my secrets. ♪ ♪ You are my first love. Come with me anywhere. ♪ ♪ Stay, you’re not the same, but you know. Stay to give me strenght again. ♪ ♪ Talk to me, let your arms and your voice give me peace for a moment. ♪ ♪ Your arms and your voice, your arms and your voice, your arms and your voice. ♪ - I don't know the end. - Me neither. - It's lowering. (guitar playing) - Wait a minute. - Ta-ri-ram, ta-ri-ram. - Lowering, Nikola. - OK, the end can be practiced more seriously and then it’ll be OK. Are we going to play something else? Give me G. ♪ Oh Carol… ♪ ♪ Uuuuuuuuu... Ta-ri-ra-ri-da. ♪ But it starts like this: ♪ Uuuuuu... ♪ (music starts playing) ♪ Oh Carol, I will admit to you now, the passion is taking me to you every day. ♪ ♪ Oh Carol, my dear Carol, tell me softly, is it all just a dream. ♪ ♪ I have no peace at night, as you well know. Give me back my kisses, two instead of one. ♪ ♪ When you hear the guitar playing, as you well know, oh Carol, I sing for you. ♪ ♪ Uuuuuu... ♪ ♪ Oh Carol, I will admit to you now, the passion is taking me to you every day. ♪ ♪ Oh Carol, my dear Carol, tell me softly, is it all just a dream. ♪ ♪ I have no peace at night, as you well know. Give me back my kisses, two instead of one. ♪ ♪ When you hear the guitar playing, as you well know, oh Carol, I sing for you. ♪ - Just chachacha and that's it. And this first part we sing together in two voices. ♪ Uuuuu... ♪ That's a must. Let's go. Are you ready? ♪ Uuuuuu... ♪ - Wait, wait while Pindzula adjusts this... (playing guitar) - Should I play terzo or the 1st voice. - The 1st voice on the guitar. - That's it. ♪ Ta-ra-ra-ra... ♪ No, no, the same. Again the same chord, right? - Two times. ♪ Ta-ra-ra-ra-ra-ra... ♪ (playing) - Both times the same. - Just sing the terzo. - After A minor you should play C major, then D major. - But this part, this end... - What? D7. Oh, that, there you go G, D7, D, G major. That's how I wrote it down. (singing) G major, C major, and then again G major. ♪ Aaaaaaaaa... Chachacha. ♪ So, G major, C minor, G, C. Fine. So, you play this part. - That's how it starts. (they start playing the tune) ♪ Uuuuuu... ♪ ♪ Oh Carol, I will admit to you now, the passion is taking me to you every day. ♪ ♪ Oh Carol, my dear Carol, tell me softly, is it all just a dream. ♪ ♪ I have no peace at night, as you well know. Give me back my kisses, two instead of one. ♪ ♪ When you hear the guitar playing, as you well know, oh Carol, I sing for you. ♪ ♪ Uuuuuu... ♪ ♪ Uuuuuu... ♪ ♪ Oh Carol, I will admit to you now, the passion is taking me to you every day. ♪ ♪ Oh Carol, my dear Carol, tell me softly, is it all just a dream. ♪ ♪ I have no peace at night, as you well know. Give me back my kisses, two instead of one. ♪ ♪ When you hear the guitar playing, as you well know, oh Carol, I sing for you. ♪ - Nothing more. Do you know this one? E major. E. ♪ I haven’t heard in a while the song from Hawaii… ♪ A bit faster. (music playing) ♪ I haven’t heard in a while the song from Hawaii. ♪ ♪ Painful cry of a guitar, silent call. ♪ ♪ I haven’t seen in a while your black eyes. ♪ ♪ Just, it follows me everywhere - the hive of dreams. ♪ ♪ Three palms on the island of happiness, where clouds circle all night. ♪ ♪ Where boat by boat goes by, and soon it will reach the harbor. ♪ ♪ Three palms, three secrets, three shadows. Our heaven, our skies, our home. ♪ ♪ And magical image of that little woman in my heart I have kept. ♪ ♪ An old song echos, reminding me of the past ♪ ♪ And of my old love, my all happiness. ♪ ♪ I listen how it weeps, the guitar in the night ♪ ♪ And silently I sing along. ♪ ♪ Three palms on the island of happiness, where clouds circle all night. ♪ ♪ Where boat by boat goes by, and soon it will reach the harbor. ♪ ♪ Three palms, three secrets, three shadows. Our heaven, our skies, our home. ♪ ♪ And magical image of that little woman in my heart I have kept. ♪ ♪ And magical image of that little woman in my heart I have kept. ♪ (guitar playing) - That's right. - How does it go from H, Pindzula. - 'Young fellows'. - And now it starts... Let's hear that solo once again. That' s it. It needs a Hawaiian touch, a melody, to be soft, not to have a rock sound. - G major, right? - Yes, yes. - Let’s do this shit. - Someone will think the song is shit. - When I say, give it to straight away. ♪ Hey, young fellows, what to do when a small town doesn’t have a jazz orchestra? ♪ ♪ Get the tambourines, we know how to play them. ♪ ♪ Everyone will dance to them, both old and young. ♪ ♪ For the young – mambo, for the old – tango, and through in a waltz too. ♪ ♪ It’ll be dancing and singing all night long. No one will leave till dawn. ♪ ♪ Let the strings hum with their full strength. Go, our tambourine players. ♪ ♪ Hey, young fellows, what to do when a small town doesn’t have a jazz orchestra? ♪ ♪ Get the tambourines, we know how to play them. ♪ ♪ Everyone will dance to them, both old and young. ♪ ♪ Hey, young fellows, what to do when a small town doesn’t have a jazz orchestra? ♪ ♪ Get the tambourines, we know how to play them. ♪ ♪ Everyone will dance to them, both old and young. ♪ ♪ For the young – mambo, for the old – tango, and through in a waltz too. ♪ ♪ It’ll be dancing and singing all night long. No one will leave till dawn. ♪ ♪ Let the strings hum with their full strength. Go, our tambourine players. ♪ ♪ Hey, young fellows, what to do when a small town doesn’t have a jazz orchestra? ♪ ♪ Get the tambourines, we know how to play them. ♪ ♪ Everyone will dance to them, both old and young. ♪ ♪ Everyone will dance to them, both old and young. ♪ ♪ Everyone will dance to them, both old and young. ♪ - It was hard for me. (guitar playing) Want to play that? Not that, ha? Do you feel like playing this one? ♪ Ta-ra-ra-ra... ♪ - Which song is it? - D minor. That's right. - Is it G minor or D minor? - D. ♪ What has happened to me, dear mother? ♪ - Stop. Let's play the solo. (they start plating) ♪ What has happened to me, dear mother? ♪ ♪ Everything got broken inside me, thunder struck me. ♪ ♪ Like I’m a puppet that doesn’t feel any pain. ♪ ♪ My love left me in mid spring. ♪ ♪ Across the field two musics follow me. ♪ ♪ One always plays the sadness to kill me. ♪ ♪ The other plays just one song, the song of love. ♪ ♪ The song I won’t be able to get over. ♪ ♪ And in my heart only poisons flow. ♪ ♪ I’m not in there any more. Only you are there. ♪ ♪ Across the field two musics follow me. ♪ ♪ One always plays the sadness to kill me. ♪ ♪ The other plays just one song, the song of love. ♪ ♪ The song I won’t be able to get over. ♪ ♪ Heeeeey... ♪ ♪ Forgive me for loving you. God punished me. ♪ ♪ He let me see you and then he took you away. ♪ ♪ And in my heart only poisons flow. ♪ ♪ I’m not in there any more. Only you are there. ♪ ♪ And in my heart only poisons flow. ♪ ♪ I’m not in there any more. Only you are there. ♪ ♪ I’m not in there any more. Only you are there. ♪