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Transcript for Joseph B Treaster Knight Chair
| Time | Content |
|---|---|
| 00:11 → 00:13 |
Well, 1h2o is a very special creature |
| 00:13 → 00:18 |
It is a.. it focuses on water, water issues all over the world. |
| 00:18 → 00:21 |
We distinguish ourselves in one way |
| 00:21 → 00:24 |
and that is by creating almost entirely original material. |
| 00:24 → 00:28 |
All the material on the website really is original. |
| 00:28 → 00:32 |
We have writers around the world who are living in this world of water crisis, |
| 00:32 → 00:33 |
as we say it. |
| 00:34 → 00:38 |
They are writers and they are taking to their neighbors and others in the region. |
| 00:38 → 00:40 |
So, we are hearing local voices, |
| 00:40 → 00:43 |
we are hearing them in a worldwide context. |
| 00:43 → 00:45 |
So I think we are doing something important and quite different. |
| 00:51 → 00:58 |
The challenge here is to find a way to tell the local story. |
| 00:58 → 01:01 |
And tell it in a way that the world can understand it. |
| 01:01 → 01:05 |
So, I find myself working as editor and coach |
| 01:05 → 01:07 |
and, in many cases, friend |
| 01:07 → 01:12 |
with the writers, talking about what it is they want to write and |
| 01:12 → 01:16 |
and what it is we need to do to make it |
| 01:16 → 01:18 |
understandable, intelligible to the rest of the world. |
| 01:18 → 01:22 |
Sometime it is as simple as an unusual phrase or term |
| 01:22 → 01:23 |
that is only regional. |
| 01:23 → 01:26 |
Other times it is a ... |
| 01:26 → 01:30 |
... the classic communication process |
| 01:30 → 01:35 |
of shorter, sharper, more staccato sentences. |
| 01:35 → 01:38 |
Everyone of us has a tendency to write long, long sentences |
| 01:38 → 01:40 |
and it is hard to follow. |
| 01:40 → 01:43 |
So, it is a exciting thing because |
| 01:43 → 01:47 |
the stories that we know are out there |
| 01:47 → 01:49 |
and that we are discovering |
| 01:49 → 01:50 |
are really moving stories. |
| 01:50 → 01:54 |
And it is not really much of a stretch |
| 01:54 → 01:58 |
to get that local story into a form that the world can understand it |
| 01:58 → 02:00 |
and then the impact is enormous. |
| 02:06 → 02:10 |
There are actually a lot of similarities in working on this particular startup |
| 02:10 → 02:13 |
and being a reporter who has work on big stories all over the word, |
| 02:13 → 02:17 |
the United States and many other countries. |
| 02:17 → 02:23 |
In both cases you really need a lot of enterprise, a lot of entrepreneurialship. |
| 02:23 → 02:25 |
You have to find the stories, |
| 02:25 → 02:28 |
you have to figure out how to put those stories into terms that |
| 02:28 → 02:31 |
people back home, and in another countries, can read them. |
| 02:31 → 02:33 |
I have always worked for a newspaper, |
| 02:33 → 02:34 |
or mostly work for a newspaper |
| 02:34 → 02:35 |
that was worldwide. |
| 02:35 → 02:38 |
So I have that worldwide perspective as an audience |
| 02:38 → 02:42 |
and now I come to this Internet, website, |
| 02:42 → 02:45 |
and I am not just the correspondent now, |
| 02:45 → 02:48 |
I am the editor, I am the photo editor, |
| 02:48 → 02:49 |
I am the copy editor |
| 02:49 → 02:55 |
I am in some cases even making myself think like the publisher and the advertising director. |
| 02:55 → 02:58 |
We want to know what are all the ramifications of |
| 02:58 → 03:00 |
what we see in this Internet website |
| 03:00 → 03:03 |
that can have the most impact. |
| 03:03 → 03:06 |
I really believe strongly in the subject we are working with |
| 03:06 → 03:09 |
and just as I always believed in my stories |
| 03:09 → 03:11 |
when I was producing one at the time |
| 03:11 → 03:13 |
now I got this, this |
| 03:13 → 03:16 |
kind of a theater, almost orchestra, working together |
| 03:16 → 03:18 |
and we are getting very good response, |
| 03:18 → 03:20 |
and it is quite rewarding. |

